Collaboration with materials

[John] Cage argued that the artist should not speak to his or her audience about the natural world, but should instead use art to heighten the audience member's sensitivity to experiences of all kinds.

Robert Rauschenberg: "And I'm opposed to the whole idea of conception-execution—of getting an idea for a picture and then carrying it out. I've always felt as though, whatever I've used and whatever I've done, the method was always closer to a collaboration with materials than to any kind of conscious manipulation and control.'

for them, the making of art had become the building of systems of pattern and randomness, and thus, in Claude Shannon's sense, of information.

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